ABOUT

Born in Skopje, Macedonia, David Belkovski’s journey as a musician has taken him from early ventures into Balkan folk music to the vibrant beginnings of a career as conductor, soloist, and continuist. Recognized for his vivid programming and interpretations, David has directed Philharmonia Baroque Orchestra, Juilliard415, New World Symphony, and Les Violons du Roy. David’s recent appearances at the Norfolk, Ryedale, and Aix-en-Provence festivals showcased the breadth of his musical talents.

Performing regularly on harpsichord, fortepiano, and modern piano, David has been awarded first prize in several international and national competitions, including the 2019 Sfzp International Fortepiano Competition, earning him praise for his artistry on both historical and modern keyboards. David has built strong relationships with some of early music’s most notable directors, serving as Assistant Conductor to Richard Egarr, Raphaël Pichon, John Butt, preparing orchestras for William Christie, and as an English Concert fellow to Harry Bicket. Notably, David held the position of Assistant Conductor of Philharmonia Baroque Orchestra.

Alongside international prize-winning violinist Rachell Ellen Wong, David founded Twelfth Night, a period-instrument ensemble based in New York City. Twelfth Night marked a significant milestone in 2024, making their Carnegie Hall debut with an electrifying operatic showcase featuring Julie Roset and Xenia Puskarz Thomas. Twelfth Night is currently the ensemble-in-residence for Seattle Early Music.

Continuo playing is a cherished part of David’s creative activity. His recent collaborations include the acclaimed Belgian vocal ensemble, Vox Luminis, the French chamber group, Jupiter Ensemble, and New York’s Trinity Baroque Orchestra.

In addition to performing, David’s compositions include a commission by Juilliard415. As an instructor, David coaches vocalists at The Juilliard School and teaches courses and workshops on subjects ranging from continuo performance to historical pedagogy. David is the recipient of the Robert A. and Patricia S. Levinson Award, the first to receive the fellowship in the field of early music.